Byla zhizn do Grishkovtsa - i est zhizn s Grishkovtsom. Pyat let tomu nazad na odnu moskovskuyu stsenu vyshel paren let tridtsati s nebolshim. Vyshel i soobshchil, chto on seychas rasskazhet pro cheloveka, kotorogo bolshe net, v smysle - on ranshe byl, no potom ego ne stalo, - tak chto kogda zriteli budut slyshat so stseny "ya podumal...", to eto budet imenno pro togo cheloveka. Parnya zvali Evgeniy Grishkovets, i on pomnil to, o chem drugie lyudi vspominayut mimohodom i nikogda ne govoryat vsluh - o dembelskom albome, ob obide, chto multfilm, kotorogo tak zhdal, okazalsya kukolnym, ob oshchushchenii togo, kak techet vremya. Tot monolog nazyvalsya "Kak ya sel sobaku", i on podelil teatralnuyu realnost. Byla zhizn do Grishkovtsa - i est zhizn s Grishkovtsom. Vernee bylo by skazat, chto pyat let nazad vmeste s Grishkovtsom - s ego monologami i pesami, gde porovnu slov i mezhdometiy i net ni kapli falshi, s ego obayatelnoy maneroy govorit, slovno on s trudom podbiraet slova - v teatr prishla zhizn. Togo spektaklya on bolshe ne igraet - vmesto nego poyavilis drugie, s teh por on sel sobaku, podbiraya samye tochnye slova dlya universalnyh chelovecheskih emotsiy; po-sushchestvu, on nauchil teatr govorit chelovecheskim yazykom. Elena Kovalskaya "Afisha"
Bonus:
• Do spektaklya
• Birthday (Epizod s perevodom na nemetskiy yazyk)
• Den rozhdeniya