The Dowerless Bride (Without Dowry) (Bespridannitsa)
Director: Yakov Protazanov
Composer: David Blok
Script: Vladimir Shveycer
Writer: Aleksandr Ostrovskiy
Camera: Mark Magidson
Cast:
Ernst Romanov | Anatolij Ktorov | Mihail Klimov | Boris Tenin | Nina Alisova | Vladimir Popov | Varvara Ryzhova | Vladimir Balihin | Olga Pyzhova
€9,99
5 in stock
Composer: David Blok
Script: Vladimir Shveycer
Writer: Aleksandr Ostrovskiy
Camera: Mark Magidson
Cast:
Media: DVD
Genre: Drama - Melodram > Drama | Classical
Pristupaya k ekranizatsii "zhemchuzhiny russkoy dramaturgii", Yakov Protazanov, kotorogo ne raz poritsali za izlishnyuyu teatralnost, pishet v mnogotirazhke "Rot-film": "Samo soboy ponyatno, chto pri postroenii "Bespridannitsy", kak filma, ranshe vsego, dolzhny byli ruhnut teatralnye kulisy i vsya voobshche forma rechevogo teatra. Tak znachitelnaya chast dialogov rechevogo materiala obratilas v material plasticheskiy. Tak yavilis ne tolko novye mesta deystviya, no i ryad novyh stsen, veshchey, detaley i pr. Deystvie, ostavayas v obshchem rusle zamysla Ostrovskogo, poshlo novym techeniem - kinematograficheskim...".
S osobym vnimaniem Protazanov pristupil k formirovaniyu semochnoy gruppy. V soavtorah po stsenariyu vystupil staryy drug i opytnyy kinematografist Vladimir Shveytsep.
Operatorom stal Mark Magidson, v proshlom retusher i provintsialnyy fotograf, neopytnost kotoroyu s lihvoy vozmeshchalas talantom i entuziazmom. On okazalsya dostoynym partnerom proslavlennogo mastera. Magidson predlagal neozhidannye hudozhestvennye resheniya i nastaival na nih - naprimer, provesti vsyu semku s nizhnih tochek, a dlya etogo podnyat uzhe vystroennuyu dekoratsiyu na poltora metra nad polom.
Protazanov s neobyknovennoy tshchatelnostyu sledil za atmosferoy dostovernosti. Grimiroval ne tolko ispolniteley, no "grimiroval" i parohod, i sad, i tselyy gorod. Dlya etogo ego assistent Valentin Kadochnikov, diplomnik GIKa, lyubimyy uchenik Eyzenshteyna, neskolko mesyatsev provel v muzeyah i bibliotekah, besedoval so starozhilami, sobiraya v tolstuyu kontorskuyu knigu unikalnyy ikonograficheskiy material.
Drugoy molodoy assistent, Aleksandr Rou, podbiral, akterskiy ansambl. Po raznym prichinam otkazalis ot semok I.Ilinskiy i S.Martinson. Odnako okonchatelnyy vybor Protazanova byl bezuprechen: A.Ktorov, M.Klimov, O.Pyzhova, B.Tenin, V.Balihin. No glavnyy - Galateya, obretshaya svoego Pigmaliona - vypusknitsa GIKa Nina Alisova, ocharovatelnaya i neposredstvennaya, devushka-podrostok, kotoraya uzhe snimalas v filme mastera, ne vyshedshem na ekran.
K aktrise prikrepili pedagogov po slovu, tantsu, peniyu. No ryadom vsegda byl sam Protazanov, sledil bukvalno za kazhdym ee shagom, trebuya, chtoby Alisova vse vremya nahodilas v sostoyanii, blizkom obrazu. Oni ne poboyalis sravneniy s velikimi predshestvennitsami Savinoy, Ermolovoy i Komissarzhevskoy. Proshel god. Zriteli uznali novuyu Larisu Ogudalovu i bezogovorochno prinyali ee.
S osobym vnimaniem Protazanov pristupil k formirovaniyu semochnoy gruppy. V soavtorah po stsenariyu vystupil staryy drug i opytnyy kinematografist Vladimir Shveytsep.
Operatorom stal Mark Magidson, v proshlom retusher i provintsialnyy fotograf, neopytnost kotoroyu s lihvoy vozmeshchalas talantom i entuziazmom. On okazalsya dostoynym partnerom proslavlennogo mastera. Magidson predlagal neozhidannye hudozhestvennye resheniya i nastaival na nih - naprimer, provesti vsyu semku s nizhnih tochek, a dlya etogo podnyat uzhe vystroennuyu dekoratsiyu na poltora metra nad polom.
Protazanov s neobyknovennoy tshchatelnostyu sledil za atmosferoy dostovernosti. Grimiroval ne tolko ispolniteley, no "grimiroval" i parohod, i sad, i tselyy gorod. Dlya etogo ego assistent Valentin Kadochnikov, diplomnik GIKa, lyubimyy uchenik Eyzenshteyna, neskolko mesyatsev provel v muzeyah i bibliotekah, besedoval so starozhilami, sobiraya v tolstuyu kontorskuyu knigu unikalnyy ikonograficheskiy material.
Drugoy molodoy assistent, Aleksandr Rou, podbiral, akterskiy ansambl. Po raznym prichinam otkazalis ot semok I.Ilinskiy i S.Martinson. Odnako okonchatelnyy vybor Protazanova byl bezuprechen: A.Ktorov, M.Klimov, O.Pyzhova, B.Tenin, V.Balihin. No glavnyy - Galateya, obretshaya svoego Pigmaliona - vypusknitsa GIKa Nina Alisova, ocharovatelnaya i neposredstvennaya, devushka-podrostok, kotoraya uzhe snimalas v filme mastera, ne vyshedshem na ekran.
K aktrise prikrepili pedagogov po slovu, tantsu, peniyu. No ryadom vsegda byl sam Protazanov, sledil bukvalno za kazhdym ee shagom, trebuya, chtoby Alisova vse vremya nahodilas v sostoyanii, blizkom obrazu. Oni ne poboyalis sravneniy s velikimi predshestvennitsami Savinoy, Ermolovoy i Komissarzhevskoy. Proshel god. Zriteli uznali novuyu Larisu Ogudalovu i bezogovorochno prinyali ee.
